Asher Biemann, Professor, Religious Studies and Director of the Center for German Studies, University of Virginia
“The ‘Jewish’ Michelangelo: German Jews, the Renaissance, and the Dream of Italy”
Monday, March 9, 4:00 p.m.
Union South (1308 W. Dayton St.; check TITU)
Why did Michelangelo matter to Jewish writers? What explains the cultural affinity of German Jews to Italy and the period of the Renaissance? In his lecture “The ‘Jewish’ Michelangelo,” Asher Biemann will reflect on modern Jewish imagination and statue love. Michelangelo’s sculptures literally came to life in the eyes of Jewish pilgrims, often addressing them, as the Moses statue would, as fellow Jews. But even the Sistine Chapel “spoke” to Jewish visitors, revealing itself as a manifesto of prophetic socialism devoid of its Christian elements. To German Jews, the identification with Italy and the self-recognition in Michelangelo’s work offered an alternative to the failed promises of the Enlightenment. That the Jewish fascination with Michelangelo continues to this very day in popular culture, and even in contemporary Israeli art, only confirms that Michelangelo matters.
This lecture is sponsored by the Mosse/Weinstein Center for Jewish Studies and the Department of History and made possible through the generosity of the Schrag family.
Listen to Lecture
This lecture will be available for download through iTunes U, approximately two weeks after the lecture date. Click here for more information.
About the Speaker
Asher D. Biemann is Professor of Religious Studies and Director of the Center for German Studies at the University of Virginia, where he teaches modern Jewish thought and intellectual history. He studied at the Universities of Graz, Vienna, and the Hebrew University in Jerusalem and has taught at Harvard University, the Goethe Universität in Frankfurt, the Ludwig Maximilans Universität in Munich, and the University of Vienna. He is the author of a critical edition of Martin Buber’s Sprachphilosophische Schriften (2003), The Martin Buber Reader (2001), as well as of Inventing New Beginnings: On the Idea of Renaissance in Modern Judaism (2009) and Dreaming of Michelangelo: Jewish Variations on a Modern Theme (2012), both of which appeared with Stanford University Press.